The Tribeca Film Festival, now in its tenth year, is more than just a bunch of movies downtown and the off-beat chance that you’ll spot Robert De Niro. What inspires me about it are the triumphs of the underdogs—the fact that struggling filmmakers, and the subjects of documentaries, come from around the world (and sometimes from very small means) to New York City—where thousands of people will see what they’ve been working on for 1.. 2.. 10 years. It’s a collection of diverse stories that you never would have known or cared about before, from the rise of a Haitian band to a historical event from the 60s, to a high school drama competition. Looking back, I won’t remember the time I sat two rows behind Kevin Spacey; but I will remember how a teenager cried onstage about escaping the gang life and going on to perform on Broadway.
Out of this year’s 93 selected films, I saw nine, plus a screening of short films. And by chance, I was lucky enough to have watched 3 out of the top 10 movies overall (voted on by audiences).
Here are the highlights:
The Swell Season
There was a good chunk of the population that was obsessed with the indie hit Once, about a passionate Irish musician (Glen Hansard) and a Polish girl (Markéta Irglová) who meet and make a demo together. The two actually had a real-life romance off-screen, and three filmmakers captured three years of their relationship to make this documentary—starting from their fairy tale Oscar win for best original song, at the height of their love, to the slow unraveling of it. Music is raw and very good; makes you think of Once all over again.
Despicable Dick and Righteous Richard
Dick was a huge dick, and for most of his life, he was an alcoholic dick. He decides to be less of a Dick and more of a Richard by completing the eighth and ninth steps of the 12-step program: make a list of everyone you've wronged and make amends. Some of the people on his list: the lover he slept with days before marrying another woman; the friend whose wife he fooled around with; and his second wife, who found out that Dick had an affair with her brother's fiancé. Good luck with that, buddy.
Shakespeare High
Fame meets Bring It On meets Stand and Deliver. . . but better. Executive produced by Kevin Spacey, this documentary is about a high school drama competition where hundreds of students in California creatively act out Shakespearean plays. There are school rivalries, meticulously rehearsed performances, and a clear understanding of why we need art programs in schools. The underdog here is an inner city high school, where a group of would-be hoods choose drama club over gangs. But can they beat out the privileged kids, coming from the streets and with only weeks of practice? Uh oh, I hear a battle coming on.
Grey Matter
Many films have approached the Rwandan genocide from the standpoint of what happened during the conflict, but very few have focused on the aftermath of the killings. A film within a film, the center story of this movie focuses on a brother and sister who have to cope after their entire family was massacred. Their mother, raped and killed; their father, burned alive. The Rwandan filmmaker drew from first-hand experiences, including seeing young girls sleep with men in order to get their younger siblings into school.
It was the top-voted movie by Tribeca audiences and won $25,000. Give Up Tomorrow is about the wrongful conviction of a man, and others, for the murder of two sisters in the Philippines. Paco Larrañaga was in Quezon City, an entire plane ride away from where the murders happened, and more than 30 eye witnesses testified under oath that they saw him there the day the murders took place. Despite all this, he was still convicted and sentenced to death, but his family decided to fight for his freedom anyway, even taking it all the way to the Spanish government.
Mama Africa
When I went to South Africa for the World Cup last year, I bought a painting of a woman from a local artist. I knew nothing about the woman in the portrait, except that her name was Miriam Makeba. So, when I saw that Tribeca was screening a documentary about her, I was all up for learning more about the woman on my bedroom wall. I must say, she was pretty fierce—generous, exiled from her homeland, a strong activist against Apartheid, and an artist who used her songs to elicit a demand for change.
When the Drum is Beating
Haitians have suffered through their share of atrocities, but what I've always admired about them is their music and spirit. This documentary follows Septentrional, a 20-piece big band that has been getting people up and dancing for more than 60 years. Vibrant music plays in conjunction with images of Haiti's crumbling infrastructure and the historic slave days. Eccentric characters and national pride add a hopeful spin to it.
Exit Strategies
This screening featured eight shorts with the common theme of "escape". Among the stories were an altar boy who loves soccer, a group of friends who have to deal with a dying cat, a father and son face-off, a mysterious box, and a family picnic complete with wolves and landmines.
Janie Jones
Still cute as a button, Abigail Breslin picks up a guitar and plays the daughter of Ethan, a has-been musician. Ethan has withered away all his money, and lets alcohol and his temper get in the way of his success. One day, a druggie drops off a girl at his concert, claiming that she is his daughter. They bond of course, through acoustic songs and hitting the road together.
The Loving Story
Because of Richard and Mildred Loving, and a Supreme Court ruling in 1967, our government can't stop us from marrying someone of a different race. But little is known of the Loving couple (pun intended), so this documentary offers a deeper look into the people who helped progress the Civil Rights Movement. The recovered footage is a beautiful piece to the story and the fight for more colorful love.